AI Image Prompts

A finished vertical 4:5 advertising poster for a fictional sparkling pink lemonade brand. Loud, glossy, maximum saturation, hard-flash look. STRICT PALETTE: bubblegum pink, lemon yellow, mint green, white, black outlines. No other colors. PHOTOGRAPH in the upper two-thirds: a laughing girl in a white bucket hat and a mint tee against a flat bubblegum-pink wall, one eye squeezed shut from the sour taste, lips puckered around a pink-and-white striped straw. She holds a tall slim can toward a 35mm lens shot from slightly below; cold drops run down the can, three lemon slices hang in the air beside it. Hard direct flash: hot highlights on cheeks, a sharp black shadow on the wall behind her shoulder. GRAPHICS: "SOUR SUN" set enormous across the top on one line in a chunky extruded 3D rounded display face: lemon-yellow faces, mint-green extrusion, thick black outline, white gloss streak. The lettering overlaps the brim of her hat. TWO glossy sticker badges with soft drop shadows: a mint starburst reading "NEW" in white caps, and a yellow lemon-shaped badge reading "zero sugar" in black lowercase. Exactly two stickers. LOWER THIRD on a solid lemon-yellow panel: "PUCKER UP, SUMMER" in black bold caps, centered; below it one line of small black text: "Real lemons. Pink fizz. Zero chill."; below that a black pill button with yellow text "Find a cooler". Typography rules: English, spelled exactly as given (the brand is S-O-U-R S-U-N), at most two typefaces, straight baselines, no doubled glyphs, no gibberish, "SOUR SUN" appears exactly once. Exactly one can, one straw, two hands, two stickers, one button. No watermark, no extra logos.

A finished weekly manga magazine cover, portrait 4:5. Printed look: visible halftone dots in the midtones, slight ink misregistration on the reds, faint newsprint paper texture over everything. STRICT PALETTE: signal red, acid yellow, black, cream newsprint. No other colors. ILLUSTRATION fills the cover: a girl with a short black bob and a torn acid-yellow scarf leans hard into a turn on a red sport motorbike, knee slider nearly touching the road, grinning with her teeth showing, eyes locked on the reader. Hard cel shading, crisp black outlines, heavy spot blacks. Dense black speed lines radiate from a vanishing point behind her helmet-free head. Sparks spray from the footpeg at the lower right in red and yellow dots. Low angle, we look slightly up at her. LAYOUT: MASTHEAD: the two kanji 疾風 rendered once, correctly formed, huge, top left, in black brush lettering with a red offset shadow, partly overlapped by her scarf. Under it, in small clean red Latin capitals: GALE RIDER. Top right: a yellow starburst with a black outline reading NEW SERIES in black capitals, two words exactly. Bottom edge: a solid black band with tiny cream decorative type that is too small to read. TYPOGRAPHY RULES: at most two typefaces, Latin text on straight baselines, exact spellings (疾風 once, GALE RIDER, NEW SERIES). No speech bubbles, no panel borders, no other readable text. Exactly two arms, one bike, two wheels. No watermark.

A vertical 4:5 travel poster filling the frame edge to edge, with a thin bone-cream inner border. Style: mid-century screenprint, flat layered color separations, clean graphic shapes, light stipple texture, visible paper grain as if printed on aged uncoated paper and photographed flat. Layout: the name LOFOTEN at upper left in a large high-contrast serif, black ink, one line. Under it NORWAY in small widely spaced black caps. A solid black band across the bottom carries the tagline WHERE THE LIGHT STAYS UP in bone-cream spaced caps, centered. Illustration in the lower three quarters: sharp green-black peaks rising straight out of a still fjord, a row of red wooden fishing cabins on stilts along the shore, drying racks of fish beside them, a midnight sun low over the water in a banded sky from deep teal through coral to pale gold, a single small rowing boat leaving a white wake. Palette held to teal, coral, pale gold, red ochre, slate green, bone cream and black. Typography: exactly two typefaces, straight baselines, correct spelling, Latin characters only. One place name, one country line, one tagline, each once. No people, no watermark.

A full-page magazine advertisement, landscape 4:3, finished editorial layout with an offset halftone texture over the whole piece and slight misregistration on the oranges. STRICT PALETTE: tangerine orange, bone cream, ink black, electric blue. No other colors. RIGHT HALF, a photograph bleeding off the right edge: one round tin of smoked honey on a black surface, lid leaning against it, a wooden dipper lifting a long glossy ribbon of amber honey. Hard flash from front left, one crisp shadow to the rear right. Behind it a flat tangerine wall with a radiating sunburst built from halftone dots. LEFT HALF on bone cream: an enormous heavy serif headline in black, stacked on three lines: "STICKY" / "SITUA-" / "TION." with SITUATION printed in tangerine. Below it two narrow columns of small black body text: "Smoked over applewood, poured by hand, and impossible to keep on the spoon. EMBERHIVE honey makes toast an event and tea a decision. Proceed carefully." An electric-blue circular badge overlapping the column gap, reading "SMOKED" in black caps. Bottom of the left panel: the wordmark EMBERHIVE in small spaced caps, a thin black rule, and under it in tiny spaced caps "SMALL BATCH · WILD FLOWERS · BEEKEEPERS SINCE 2011". Typography: at most two typefaces, straight baselines, correct kerning, no gibberish. EMBERHIVE appears once. One tin, one lid, one dipper, one badge. No watermark.

A single flat image of a fictional product webpage inside a thin pale-grey browser frame with one blank tab and a small address pill reading "cloudpour.co". The page fills the frame. BACKGROUND: soft lilac, lighter in the center. A 3D render floating across the page: exactly three oversized inflated ceramic coffee mugs in a puffy toy-like style, thick glossy clearcoat, big soft highlights, faint shadows below, tumbling at different depths: one butter yellow and largest at center right, one sky blue upper right, one chrome silver small at back left. Three small inflated accents float around them: one coffee bean, one cloud, one star. Only these. TEXT on the left: a very large lowercase heavy geometric word "cloudpour" in white with a soft lilac shadow; under it two lines of small white text: "Mugs that keep it warm." and "Hands that stay cool."; one white pill button with deep violet text "Shop mugs". Top left a small charcoal wordmark CLOUDPOUR. Palette strictly lilac, butter yellow, sky blue, chrome, white, deep violet. Two typefaces at most, straight baselines, exact spellings. Exactly three mugs, one button. No watermark.

A full in-game screenshot from a big-budget fantasy action game, real-time engine look: volumetric light through falling snow, filmic tonemapping, one anamorphic flare, photoreal materials. PALETTE: glacier blue, bone white, deep navy shadow, ember orange highlights. SCENE: a frozen mountain pass at dusk. Lower left foreground, a hunter in a white fur cloak kneels on a rock and draws a longbow, one glowing ember-orange arrow in flight across the frame. Mid-ground right, an enormous ice wyrm rears out of a cracked glacier, scales like broken blue glass, ember light glowing in its throat, snow pouring off its body. HUD, flat screen-space overlay, thin engraved silver frames, bone-white type: TOP LEFT: a round portrait medallion and three stacked bars, a red bar labelled "HP 860 / 1200". TOP CENTER: the boss name "RIMEFANG, THE GLACIER WYRM" in wide spaced caps over a long red boss bar, under it "PHASE 2 / 3". TOP RIGHT: a small square minimap with one red dot and one white arrow. BOTTOM LEFT: exactly four item slots with "x3", "x1", "x2", "x5". BOTTOM CENTER: "EMBERSTRING LONGBOW". BOTTOM RIGHT: four button prompts: "Dodge", "Aim", "Fire", "Ember Shot". All HUD flat, crisp, undistorted. English text spelled exactly, no gibberish. Exactly one wyrm, one hunter, one arrow in flight. No watermark.

A photorealistic night street photograph of a busy city intersection in light rain, eye-level 24mm perspective looking up at a corner building. A huge curved LED billboard shows a 3D illusion of a glass box; inside, a round fluffy cloud-white creature with tiny antlers and big amber eyes presses its paws and nose against the inside of the glass, fogging it. Text on the billboard reads "PUFFLING" and "NOW HATCHING". Deep indigo sky, magenta and cyan screen glow, warm street lights, a crowd with umbrellas, yellow cabs on wet reflective asphalt, steam from a street grate. All other signs are illegible generic shapes. No watermark.

An action-camera selfie photograph, vertical 4:5, held at arm's length on an ultra-wide fisheye lens with strong barrel distortion at the edges. Crushed contrast, heavy over-sharpening, punchy phone look, not cinematic. STRICT PALETTE: snow white, deep sky blue, one hit of hot orange. No other colors. SUBJECT filling the left two-thirds: a snowboarder mid-air, leaning close to the lens, wearing a hot-orange jacket and a white helmet, mouth wide open in a shout, snow crystals stuck to the jacket and the visible chin. Large mirrored ski goggles over the eyes; across the single wide goggle lens, one continuous reflection of the mountain ridge below and the low sun. BACKGROUND: a steep white slope far below, a ridge of peaks, a deep blue sky, a hard lens flare from the top right, powder snow spraying. Exactly one person with two arms, the camera arm out of frame. No camera visible, no text, no watermark, no brand names.

A mixed-media collage poster, vertical 4:5, risograph print look on off-white paper with visible tooth. Strict four-ink palette: paper white, fluorescent pink, cobalt blue, black. Halftone dots only, no gradients. Large empty paper margins at the left and top. THREE overlapping layers on the right two-thirds: a coarse halftone close-up of a jazz trumpeter's face printed in pink dots over black; the same face redrawn as a flat cobalt illustration with one confident black contour line; a torn fragment showing only the trumpet bell, slightly out of register, with a moire pattern where two dot screens overlap. Long continuous pink and cobalt lines loop across the whole sheet like sound, running off the edge and back. TYPOGRAPHY, English, straight baselines, at most three typefaces: across the top the word NIGHTBRASS huge, in condensed serif as outline only; lower left in black: "2026", then "SATURDAY, JUNE 13", then "8 pm | 10 pm", a thin rule, then "HARBOR HALL". Nothing else. Exactly three portrait layers, four inks only, no shadows, no blur, no watermark.

A natural close-up portrait photo of a young woman with warm olive skin and dark curly hair pulled back, eyes closed, face lit by soft window light from the left, plain sage-green wall behind her, no makeup, real skin texture with visible pores. 85mm lens, shallow depth of field.

A beauty campaign close-up photograph, vertical 4:5, of a smiling young woman with warm brown skin and glossy black braids, framed from forehead to chin. Lavender shimmer eyeshadow, a fine line of gold glitter along the cheekbone, glossy natural lips. Three small fresh lavender sprigs tucked behind her ear. Shot on a 100mm lens at f/2.8, soft light from the upper left through sheer fabric, background a smooth lavender blur. Strict palette: lavender, pale gold, warm brown, white. Natural skin texture, editorial cosmetics look. No text, no watermark.

A late-2000s point-and-shoot flash photo in a dim teenage bedroom at night, timestamp "10 31 2007" in orange digits in the lower right corner. A girl with dark bangs in a striped hoodie sits on the bed, lit hard by the flash, scrolling a flip phone with a bored face. In the dark doorway behind her, barely lit, stands a tall figure in a black hooded costume holding a carved pumpkin lantern. Slight overexposure on her face, red-eye, grain, a faint light leak at the top edge. Exactly two figures. No other text, no watermark.

A natural street portrait photograph of a woman in her late twenties with short platinum hair and a few freckles, wearing a faded denim jacket over a white tee, standing beside a mint-green city bicycle on a cobblestone street at midday. Old pastel facades behind her, soft shade from a plane tree, sunlight dappled on the stones. She looks into the lens with a calm half smile, one hand resting on the handlebar. 50mm lens at f/2.8, real skin texture, gentle film grain, framed from the knees up. Exactly one person, one bicycle. No text, no watermark.

A full-body studio photograph of a young man with a black buzz cut and a thin silver chain, wearing an oversized cherry-red hoodie, baggy olive cargo pants and chunky white sneakers, holding a skateboard with a checkered grip at his side, standing against a plain light-grey backdrop. Soft even studio light, a faint floor shadow, a relaxed confident pose and a slight grin. 50mm lens, head to toe in frame with space around him. Exactly one person, one skateboard. No text, no logos, no watermark.

Make a collectible action figure of the woman in this photo, sealed in a retail blister pack hanging on a pegboard wall in a toy shop. The figure keeps her short platinum hair, freckles and face, and wears the same faded denim jacket and white tee. Beside her in the molded plastic tray, each in its own compartment: a tiny mint-green bicycle, a takeaway coffee cup, a bike helmet and a folded city map. The cardboard backing is mint green with a bold yellow header reading "CITY RIDER" and one small line under it reading "ACTION FIGURE". Glossy plastic with real reflections and a slight crinkle at the edge, soft shop lighting, shallow depth of field. Keep her face recognizable. No other text, no watermark.

Make this into a still frame from a 2003 MiniDV camcorder video: the same young man with the black buzz cut, cherry-red hoodie and skateboard, now at an outdoor concrete skatepark on a hazy summer afternoon, mid-laugh as he steps onto his board, friends blurred on the ramp behind him. Low-resolution softness, interlaced scan lines, slight color fringing, washed-out highlights, white balance a little too blue, a mild fisheye from a wide-angle adapter. In the lower right corner an orange date stamp "JUL 14 2003", and in the upper left a small "REC" beside a red dot. Keep his face and outfit recognizable. No other text, no watermark.

Japanese manga magazine cover with a girl on a motorbike, speed lines and Japanese text.

The cover of a weekly Japanese manga magazine in portrait format. A girl with a short black bob and a torn yellow scarf leans her red motorbike into a fast turn, knee almost brushing the asphalt, grinning at the reader. Behind her, black speed lines burst outward across cream paper. It is drawn in ink line art with screentone shading. The magazine's big vertical title in Japanese runs down the left side, an issue number sits in a yellow starburst, and a barcode is printed in the bottom corner.

Add two pale pink rose petals resting on her cheekbone and small clear water droplets beaded across the petals and her skin, one droplet leaving a short wet trail. Brush a soft rose blush high on the cheekbone. Keep her exact facial features, skin tone, closed eyes, hair, lighting and framing unchanged.

Change the woman's faded denim jacket to a fitted mustard-yellow corduroy jacket with brown buttons, and change her white tee to a thin cream turtleneck. Keep the same pose, the same mint-green bicycle, the same street and lighting, and keep the woman with short platinum hair exactly as she is, while keeping the same facial features, freckles and expression.

Replace the plain sage-green wall behind the woman with dark curly hair with a sunlit Mediterranean terrace: a whitewashed wall, a bougainvillea in full magenta bloom, and a soft blur of blue sea beyond. Match the background blur to the shallow depth of field. Keep her pose, closed eyes, skin tone and the soft light on her face, while keeping the same facial features.

Change the style of this photo to a 1960s pop art comic print: bold black ink outlines, flat areas of primary color, Ben-Day dot shading on the skin and the background, a limited palette of red, yellow, cyan and black on off-white paper. Keep the composition, the young man with short red hair laughing, the ginger cat climbing out of the gift box and the tree exactly where they are, while keeping the same facial features and expression.

Sci-fi concept art, landscape 4:3, a finished matte painting for a film's art book. STRICT PALETTE: rust orange, dust pink, deep teal, bone white. No other colors. A colossal derelict generator ring half buried in red desert dunes, its arc rising high into a hazy pink sky. Hard-surface detail on the ring: panel seams, torn cable bundles, a glowing teal core exposed through one breach. At its base a tiny caravan of six walkers in teal cloaks leads two long-legged pack machines across the sand, long shadows trailing behind them. Two pale moons low on the horizon. Painterly brushwork in the sky, crisp detail on the machines, dust haze and atmospheric perspective. Wide 24mm view from a dune crest. Exactly six walkers, two machines, one ring. No text, no watermark.

A fantasy illustration, vertical 4:5, rich oil painting with visible brushstrokes. STRICT PALETTE: moss green, antique gold, deep plum, candle orange. A hidden library grown inside a giant hollow tree: spiral shelves carved into living wood, roots twisting through stacks of leather books, glowing moths drifting like small lanterns. In the lower center a young fox-eared archivist in a plum robe stands on a rolling ladder, reaching for one book that glows gold, a small owl on her shoulder. Warm candlelight from below, a cool shaft of green daylight falling through a knothole far above. Low angle looking up the spiral. Exactly one person, one owl. No text, no watermark.

An anime film still, landscape 4:3, hand-painted background art with soft watercolor clouds and clean cel-shaded characters. PALETTE: cobalt blue, sunflower yellow, white, warm grey concrete. Late summer afternoon at a tiny seaside train halt. A single-car local train waits beside a short concrete platform overgrown with sunflowers, the sea glittering behind it. A girl in a navy school uniform with a white sailor collar sits on the platform bench holding a glass soda bottle, her straw hat lifting in the wind, looking out at the sea. Tall cumulus clouds, deep blue sky, strong sunlight with soft bloom, long shadows across the platform. Exactly one person. Platform signs blank. No text, no watermark.

A bold typographic poster, vertical 4:5, Swiss style, printed as a two-color screenprint on warm white paper with slight ink texture. STRICT PALETTE: signal orange, ink black, paper white. No other colors. TOP TWO-THIRDS: the single word "LOUD" set enormous in a heavy condensed sans serif, black, one line, letters almost touching, cropped slightly by both side edges. A solid signal-orange circle sits behind the O, overlapping it. LOWER THIRD, a small black text block flush left on three lines: "SOUND ART WEEK", "04.11.2026", "OLD TRAM DEPOT". A thin black rule along the bottom edge. Typography rules: only these four strings, each once, spelled exactly, straight baselines, one typeface family. No pictures, no watermark.

A premium product photograph, square 1:1, for a fictional wireless earbuds brand. STRICT PALETTE: sand, clay, travertine cream, one touch of olive green. One open matte sand-colored charging case on a slab of rough travertine, the two earbuds lifted out and floating just above it at slightly different angles. A sprig of dried olive-green grass lies beside the case. One shaft of hard afternoon sun from the left casts a long crisp shadow and a palm-leaf shadow pattern across the stone. Background a seamless warm clay wall. 100mm lens at f/8, everything sharp, true materials. The word "HUSHPOD" printed once, small, on the case lid. Exactly one case, two earbuds. No other text, no watermark.

A candid Christmas morning photograph of a young man with short red hair and freckles in an oversized cream cable-knit sweater, sitting cross-legged on a wooden floor by a decorated tree, laughing as a ginger cat climbs out of a half-open gift box on his lap. Warm fairy-light bokeh behind him, steam rising from a mug on the floor, soft morning window light. 50mm lens at f/1.8, natural film grain, real skin texture. Exactly one person, one cat, one box. No text, no watermark.

Make a 1/7 scale collectible figure of the person in this photo, wearing the same cream knit sweater, standing in a cheerful pose on a clear round acrylic base on a wooden desk. Behind it, the figure's colorful toy box with his illustration on the front, and a monitor showing the figure's 3D model in a sculpting program. Realistic studio light, shallow depth of field. Keep his face, hair and freckles recognizable.

Make a 1/7 scale collectible figure of the person in this photo, wearing the same cream knit sweater, standing in a cheerful pose on a clear round acrylic base on a wooden desk. Behind it stands the figure's colorful toy box with his illustration on the front. The box carries only one invented brand: the word "MINIMOS" in a rounded, friendly logo near the top. No other logos, no real toy brands, and no other text anywhere on the box. Beside the box, a monitor shows the figure's 3D model in a sculpting program. Realistic studio light, shallow depth of field. Keep his face, hair and freckles recognizable. No watermark.